Writing and watching movies

A blog about writing for film with the occasional film review.

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Jan
17


   


Screenwriting mini tips and tricks:
 I recently started to tweet on Twitter (that still sounds like a odd  statement to me but what the hell) with small snippets of screenwriting  tips. I find that is the beauty of Twitter, it makes to minimize your  posts and you learn to say more with less (like screenwriting itself).  So since you visited my blog I have posted the list of tweets for the  list #screenwritertips below. If you are on Twitter why not follow me as  @Seansshack1.       Keep track of how long your protagonist is off screen. No matter what is happening, keep your hero in the viewer’s mind #screenwritertips


2.       Rejection/criticism is part of the writer’s life. Learn what you can from feedback and ignore the haters. #screenwritertips


3.       look at writing like exercise. Try and write every day or often, every word written is a step closer to your goal. #screenwritertips


4.       The first ten pages ARE the most important. This is where you will grab or lose the reader. Study its structure and hook. #screenwritertips


5.       Plan your story before you start the script. Write an outline/treatment and plan the structure with plot points first. #screenwritertips


6.       Don’t try and get it all right in the first draft. Rewriting is where the true magic happens.  #screenwritertips


7.       Screenwriting is like painting. First draft is a pencil sketch and will reveal if the finished painting might work. #screenwritertips


8.       After you complete the first draft take 3 weeks break. Then go back and take out anything that doesn’t work. Be ruthless. #screenwritertips


9.       The second draft onwards is where your story will be found. Rinse and repeat with every draft until you feel it is ready #screenwritertips


10.   Not everything will work. If it feels forced it will read as forced. If is doesn’t work, walk away. #screenwritertips


11.   Remove ANYTHING that doesn’t add to the story or plot. Even if it’s the best scene you ever wrote. If it’s fat, cut it.  #screenwritertips

12.   Remember to be truly good at anything in life you need to become a little obsessed with it. So write and study films. #screenwritertips


13.   Film is subjective; remember that not everyone will like what you write. So write for you not everyone. It is YOUR story #screenwritertips


14.   Film is collaboration. Be open minded to other people’s ideas and changes. You don’t know everything. Learn from others. #screenwritertips


15.   Get someone else to proofread your work. Some readers will only see  your mistakes and you will miss them. Get help.  #screenwritertips



16.   You need feedback. Get as much feedback as possible and revise before you send scripts for consideration. #screenwritertips


17.   If you have a solid idea, try the story as a short script first before you expand into a feature. #screenwritertips


18.   Write your screenplays with two things in mind. Keep the script “tight and bright”. Remember you have to stand out. #screenwritertips


19.   Be prepared and expect failure but remember nothing great ever comes without risk of failure. Get out of your comfort zone #screenwritertips


20.   Feedback is great and needed, but never lose your “inner voice”. Listen to what story you want and stay on target. #screenwritertips


21.   Watch your favorite classic films and keep an eye on the time counter to see where and when the plot points are used. #screenwritertips


22.   As soon as you finish you script, be ready to let it go. If you resist change and are not open to it you will fail. #screenwritertips


23.   A lot of scripts fail in the 2nd act. This is because they didn’t plan or prepare. Fail to prepare = prepare to fail. #screenwritertips


24.   Don’t tag on the last act. It’s as important at the others. This is where the reader finds conclusion. Don’t cheat them. #screenwritertips


25.   Far too many concepts and ideas are stretched too thin in an attempt to make them work. Think it through before you write. #screenwritertips


26.   Remember your loglines/synopsis will hook interest in your script. Make sure they work by studying samples for films. #screenwritertips


27.   Get people to read your script out loud. Record it if you can. You will find dialogue that doesn’t “sound” right. #screenwritertips


28.   Remember you are writing for the screen and not a book. Learn how to tell a story visually. #screenwritertips


29.   Never write what a character is thinking. Remember only describe and write what we can see on screen. #screenwritertips


30.   Coverage and feedback is good but don’t change everything listed because it was suggested. Listen to YOUR story. #screenwritertips


31.   Get feedback and coverage from people you trust. Tough love is a good thing but not all suggestions will work. #screenwritertips


32.   You will get to the stage of getting suggestions for the sake of suggestions. Especially if it is paid coverage. #screenwritertips


33.   Writing IS rewriting. Don’t be afraid of hard work. Rinse and repeat until you believe it is as good as it can get. #screenwritertips


34.   There are several methods for structuring. Pick one as your bible. Here is a sample of what I use http://tinyurl.com/6nzetty  #screenwritertips


35.   It’s a good idea to set the scene with the opening image. It’s not as essential as some books state but use it if you can. #screenwritertips


36.   The 3 acts made easy: (1) put the hero in a tree. (2) Throw rocks at them. (3) Get them out of the tree. #screenwritertips


37.   Put your characters first. If they aren’t interesting or relatable, viewers won’t care and lose interest. #screenwritertips


38.   Competitions are a great way to get exposure and sometimes feedback. But pick them carefully as not all are worthwhile. #screenwritertips


39.   Plot points are vital to your story, plan them before you start and don’t try and squeeze them in later. #screenwritertips


40.   One script can get you noticed but be sure you are armed with at least 3 solid features just in case you do. #screenwritertips



Posted 4 days ago by Sean Ryan
   


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Seán Ryan: Writing and watching Movies.

A  Movie review blog with the occasional hint and tip about writing for  the screen. Might even stick in the odd bit about any writing success  (and try hard to ignore failures).   More of who I am (nobody really, also known as seansshack on the web)  here. www.seansshack.com

 
Haywire (2010) - Review
Director: Steven SoderberghWriter: Lem DobbsStars: Gina Carano, Ewan McGregor and Michael FassbenderThis  was a solid action film that tripped on a couple of occasions but  overall was entertaining. I was a little let down by the last 20 minutes  and the ending.  Also I wasn’t a fan of the the initial mission scene  with only music and no sound effects/dialog. It killed the tension of  the scene and appeared too much like a director was trying to be arty,  rather than letting the action breath. The fight on the beach was also  very poor (especially since we had taken the whole film get to here).










Jan
17


Screenwriting mini tips and tricks:I  recently started to tweet on Twitter (that still sounds like a odd  statement to me but what the hell) with small snippets of screenwriting  tips. I find that is the beauty of Twitter, it makes to minimize your  posts and you learn to say more with less (like screenwriting itself).  So since you visited my blog I have posted the list of tweets for the  list #screenwritertips below. If you are on Twitter why not follow me as  @Seansshack1.




Jan
5


From the page to the stage. Birth Control (2010)
I was advised to post Birth  Control to the Funny Or Die website by my manager who felt it was very  funny and deserved to get more exposure. Have a look and let me know  what you think. I could include the script for script to screen  comparisons.




Dec
29


The Kill List (2011): Review
I had been looking forward to  seeing this film for a while as the reviews were strong for cinema and  DVD releases. But was shocked when I watched it and not in a good way.  Just read a review in Total Film which read like the reviewer had just  watched a classic film and wording suggested if you didn’t love it, you  just weren’t intelligent enough to have “gotten it”. I do hope they got  paid a lot for the review and I will find it hard to trust their opinion  again.




Nov
27


The Debt (2011) - Review
Director: John MaddenWriters: Matthew Vaughn (screenplay), Jane Goldman (screenplay)Stars: Helen Mirren, Sam Worthington and Tom WilkinsonI  had high hopes considering the cast, writers and subject matter but the  pacing was way to slow. The constant change from past to present didn’t  confuse but made it difficult to lose yourself in the story. A film  that could and should have been dripping in suspense and thrills ended  up boring.






Nov
17


30 Minutes Or Less (2011) - Review
Director:Ruben FleischerWriters: Michael Diliberti (screenplay), Michael Diliberti (story)Stars: Jesse Eisenberg, Danny McBride and Nick Swardson.This  film was a big (big) disappointment. The story was weak, the characters  annoying and unsympathetic and the laughs too few and far between for a  comedy. It appeared to be a simple case of a good idea stretched into a  film and stretched too far.




Nov
5


Abduction (2011) - Review
Director: John SingletonWriter: Shawn ChristensenStars: Taylor Lautner, Lily Collins and Alfred MolinaNow  I went into this film with zero expectations and found less. A once  great director, a solid cast and a good budget - of which I later read  was $35 million - which was a massive waste considering they made The  Town for $37 million, what went wrong? Unfortunately lots and lots.




Oct
26


Being a writer and why you should keep track of accomplishments.
It is always a good idea to  keep track of your accomplishments as well as to right off your  failures. Keep a list of what has been sold, optioned and what  competitions you have placed in. It helps when people ask what have you  written and what has been produced. A list of scripts, features or  shorts, is just a list. It won’t entice people to read any of your work.  Not to say a list of produced work or accomplishments will either, but  it might help and can’t hurt.




Oct
23


The Hangover 2 (2011): Review
Director: Todd PhillipsWriters: Craig Mazin, Scot Armstrong, Todd Phillips, Jon Lucas & Scott MooreStars:Bradley Cooper, Zach Galifianakis and Ed HelmsI  was shocked in how lazy this screenplay/story telling was. I know they  had to stick to the formula, but they rehashed the same script, plot  point by plot point. When you read the credits and see 5 people (yes 5)  are listed as being the writers of the script and characters, you find  yourself thinking WTF.




Oct
4


The Victim (2011): Review
Directed by: Michael BiehnWritten By: Michael Biehn (screenplay), Reed Lackey (story)Starring: Michael Biehn, Jennifer Blanc, Danielle Harris, Denny Kirkwood and Ryan Honey…Background and insight:The background here is a bit longer than most reviews because of where I managed to get to see this film and with whom…If you read my blogs (and I hope you do) you will have noticed I mentioned The Victim on a couple of occasions.





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Jan
17

 

Screenwriting mini tips and tricks:

I recently started to tweet on Twitter (that still sounds like a odd statement to me but what the hell) with small snippets of screenwriting tips. I find that is the beauty of Twitter, it makes to minimize your posts and you learn to say more with less (like screenwriting itself). So since you visited my blog I have posted the list of tweets for the list #screenwritertips below. If you are on Twitter why not follow me as @Seansshack



1.       Keep track of how long your protagonist is off screen. No matter what is happening, keep your hero in the viewer’s mind #screenwritertips
2.       Rejection/criticism is part of the writer’s life. Learn what you can from feedback and ignore the haters. #screenwritertips
3.       look at writing like exercise. Try and write every day or often, every word written is a step closer to your goal. #screenwritertips
4.       The first ten pages ARE the most important. This is where you will grab or lose the reader. Study its structure and hook. #screenwritertips
5.       Plan your story before you start the script. Write an outline/treatment and plan the structure with plot points first. #screenwritertips
6.       Don’t try and get it all right in the first draft. Rewriting is where the true magic happens.  #screenwritertips
7.       Screenwriting is like painting. First draft is a pencil sketch and will reveal if the finished painting might work. #screenwritertips
8.       After you complete the first draft take 3 weeks break. Then go back and take out anything that doesn’t work. Be ruthless. #screenwritertips
9.       The second draft onwards is where your story will be found. Rinse and repeat with every draft until you feel it is ready #screenwritertips
10.   Not everything will work. If it feels forced it will read as forced. If is doesn’t work, walk away. #screenwritertips
11.   Remove ANYTHING that doesn’t add to the story or plot. Even if it’s the best scene you ever wrote. If it’s fat, cut it.  #screenwritertips
12.   Remember to be truly good at anything in life you need to become a little obsessed with it. So write and study films. #screenwritertips
13.   Film is subjective; remember that not everyone will like what you write. So write for you not everyone. It is YOUR story #screenwritertips
14.   Film is collaboration. Be open minded to other people’s ideas and changes. You don’t know everything. Learn from others. #screenwritertips
15.   Get someone else to proofread your work. Some readers will only see  your mistakes and you will miss them. Get help.  #screenwritertips
16.   You need feedback. Get as much feedback as possible and revise before you send scripts for consideration. #screenwritertips
17.   If you have a solid idea, try the story as a short script first before you expand into a feature. #screenwritertips
18.   Write your screenplays with two things in mind. Keep the script “tight and bright”. Remember you have to stand out. #screenwritertips
19.   Be prepared and expect failure but remember nothing great ever comes without risk of failure. Get out of your comfort zone #screenwritertips
20.   Feedback is great and needed, but never lose your “inner voice”. Listen to what story you want and stay on target. #screenwritertips
21.   Watch your favorite classic films and keep an eye on the time counter to see where and when the plot points are used. #screenwritertips
22.   As soon as you finish you script, be ready to let it go. If you resist change and are not open to it you will fail. #screenwritertips
23.   A lot of scripts fail in the 2nd act. This is because they didn’t plan or prepare. Fail to prepare = prepare to fail. #screenwritertips
24.   Don’t tag on the last act. It’s as important at the others. This is where the reader finds conclusion. Don’t cheat them. #screenwritertips
25.   Far too many concepts and ideas are stretched too thin in an attempt to make them work. Think it through before you write. #screenwritertips
26.   Remember your loglines/synopsis will hook interest in your script. Make sure they work by studying samples for films. #screenwritertips
27.   Get people to read your script out loud. Record it if you can. You will find dialogue that doesn’t “sound” right. #screenwritertips
28.   Remember you are writing for the screen and not a book. Learn how to tell a story visually. #screenwritertips
29.   Never write what a character is thinking. Remember only describe and write what we can see on screen. #screenwritertips
30.   Coverage and feedback is good but don’t change everything listed because it was suggested. Listen to YOUR story. #screenwritertips
31.   Get feedback and coverage from people you trust. Tough love is a good thing but not all suggestions will work. #screenwritertips
32.   You will get to the stage of getting suggestions for the sake of suggestions. Especially if it is paid coverage. #screenwritertips
33.   Writing IS rewriting. Don’t be afraid of hard work. Rinse and repeat until you believe it is as good as it can get. #screenwritertips
34.   There are several methods for structuring. Pick one as your bible. Here is a sample of what I use http://tinyurl.com/6nzetty  #screenwritertips
35.   It’s a good idea to set the scene with the opening image. It’s not as essential as some books state but use it if you can. #screenwritertips
36.   The 3 acts made easy: (1) put the hero in a tree. (2) Throw rocks at them. (3) Get them out of the tree. #screenwritertips
37.   Put your characters first. If they aren’t interesting or relatable, viewers won’t care and lose interest. #screenwritertips
38.   Competitions are a great way to get exposure and sometimes feedback. But pick them carefully as not all are worthwhile. #screenwritertips
39.   Plot points are vital to your story, plan them before you start and don’t try and squeeze them in later. #screenwritertips
40.   One script can get you noticed but be sure you are armed with at least 3 solid features just in case you do. #screenwritertips
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Add a comment

Seán Ryan: Writing and watching Movies.

A Movie review blog with the occasional hint and tip about writing for the screen. Might even stick in the odd bit about any writing success (and try hard to ignore failures). More of who I am (nobody really, also known as seansshack on the web) here. www.seansshack.com

Haywire (2010) - Review

Director: Steven Soderbergh

Writer: Lem Dobbs

Stars: Gina Carano, Ewan McGregor and Michael Fassbender

This was a solid action film that tripped on a couple of occasions but overall was entertaining. I was a little let down by the last 20 minutes and the ending.  Also I wasn’t a fan of the the initial mission scene with only music and no sound effects/dialog. It killed the tension of the scene and appeared too much like a director was trying to be arty, rather than letting the action breath. The fight on the beach was also very poor (especially since we had taken the whole film get to here).
Jan
17
Screenwriting mini tips and tricks:

I recently started to tweet on Twitter (that still sounds like a odd statement to me but what the hell) with small snippets of screenwriting tips. I find that is the beauty of Twitter, it makes to minimize your posts and you learn to say more with less (like screenwriting itself). So since you visited my blog I have posted the list of tweets for the list #screenwritertips below. If you are on Twitter why not follow me as @Seansshack

1.
Jan
5

From the page to the stage. Birth Control (2010)

I was advised to post Birth Control to the Funny Or Die website by my manager who felt it was very funny and deserved to get more exposure. Have a look and let me know what you think. I could include the script for script to screen comparisons.
Dec
29

The Kill List (2011): Review

I had been looking forward to seeing this film for a while as the reviews were strong for cinema and DVD releases. But was shocked when I watched it and not in a good way. Just read a review in Total Film which read like the reviewer had just watched a classic film and wording suggested if you didn’t love it, you just weren’t intelligent enough to have “gotten it”. I do hope they got paid a lot for the review and I will find it hard to trust their opinion again.
Nov
27

The Debt (2011) - Review

Director: John Madden

Writers: Matthew Vaughn (screenplay), Jane Goldman (screenplay)

Stars: Helen Mirren, Sam Worthington and Tom Wilkinson

I had high hopes considering the cast, writers and subject matter but the pacing was way to slow. The constant change from past to present didn’t confuse but made it difficult to lose yourself in the story. A film that could and should have been dripping in suspense and thrills ended up boring.
Nov
17

30 Minutes Or Less (2011) - Review

Director:Ruben Fleischer

Writers: Michael Diliberti (screenplay), Michael Diliberti (story)

Stars: Jesse Eisenberg, Danny McBride and Nick Swardson.

This film was a big (big) disappointment. The story was weak, the characters annoying and unsympathetic and the laughs too few and far between for a comedy. It appeared to be a simple case of a good idea stretched into a film and stretched too far.
Nov
5

Abduction (2011) - Review

Director: John Singleton

Writer: Shawn Christensen

Stars: Taylor Lautner, Lily Collins and Alfred Molina

Now I went into this film with zero expectations and found less. A once great director, a solid cast and a good budget - of which I later read was $35 million - which was a massive waste considering they made The Town for $37 million, what went wrong? Unfortunately lots and lots.
Oct
26

Being a writer and why you should keep track of accomplishments.

It is always a good idea to keep track of your accomplishments as well as to right off your failures. Keep a list of what has been sold, optioned and what competitions you have placed in. It helps when people ask what have you written and what has been produced. A list of scripts, features or shorts, is just a list. It won’t entice people to read any of your work. Not to say a list of produced work or accomplishments will either, but it might help and can’t hurt.
Oct
23

The Hangover 2 (2011): Review

Director: Todd Phillips

Writers: Craig Mazin, Scot Armstrong, Todd Phillips, Jon Lucas & Scott Moore

Stars:Bradley Cooper, Zach Galifianakis and Ed Helms

I was shocked in how lazy this screenplay/story telling was. I know they had to stick to the formula, but they rehashed the same script, plot point by plot point. When you read the credits and see 5 people (yes 5) are listed as being the writers of the script and characters, you find yourself thinking WTF.
Oct
4

The Victim (2011): Review

Directed by: Michael Biehn

Written By: Michael Biehn (screenplay), Reed Lackey (story)

Starring: Michael Biehn, Jennifer Blanc, Danielle Harris, Denny Kirkwood and Ryan Honey…

Background and insight:

The background here is a bit longer than most reviews because of where I managed to get to see this film and with whom…

If you read my blogs (and I hope you do) you will have noticed I mentioned The Victim on a couple of occasions.
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